The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.
It’s very tragic but, from what I’ve heard, he leaves a magnificent swan song.
For such a protean artist as Bowie, it’s inevitable that he would touch on OGOM interests like fantasy, Gothic, speculative fiction, and so on. Among the many tributes from my own friends and from other artists and musicians that have virtually dominated Facebook today, I found Julie Kagawa’s YA dark faerie romance The Iron King, which is on Sam’s Generation Dead module, was influenced by Bowie’s performance in the film Labyrinth. I’ve shared her post on the OGOM Facebook page–have a look!
It’s very tragic but, from what I’ve heard, he leaves a magnificent swan song.
For such a protean artist as Bowie, it’s inevitable that he would touch on OGOM interests like fantasy, Gothic, speculative fiction, and so on. Among the many tributes from my own friends and from other artists and musicians that have virtually dominated Facebook today, I found Julie Kagawa’s YA dark faerie romance The Iron King, which is on Sam’s Generation Dead module, was influenced by Bowie’s performance in the film Labyrinth. I’ve shared her post on the OGOM Facebook page–have a look!
That is uncanny but also wonderful….was going to post on Bowie and liminality – thresholds but no words just now.