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Tag Archives: sexuality
The Vampire Sex Machine Suit
It’s well known that sexuality and vampires go together. This fabulous suit epitomises that connection–mine is on its way!
Scenarios you will never find in a Werewolf Romance
The following is in no way a proper critique of the romance genre. I’ve just had to read quite a few for my Table of Werewolves and certain aspects have become grating. So, without further ado, here are: Seven scenarios … Continue reading
CFP Books of Blood: Collaborative Project and Funding Bid
*Extended Deadline – submissions by 1st November 2015* All humans ‘are books of blood—wherever you open us, we’re red’ (Clive Barker). If our bodies are books of blood, then they can be read; we invite such readings and contributions where … Continue reading
Posted in CFP (Conferences), Conferences, Critical thoughts, Events, OGOM Research, OGOM: Books of Blood, Publications
Tagged anthropology, art, blood, CFP, disease, Film, gender, music, myth, painting, philosophy, popular culture, race, science, sexuality, theology, TV, video games, Wellcome Trust
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OGOM Company of Wolves Conference: Extended Call for Papers
OGOM: ‘The Company of Wolves’: Sociality, Animality, and Subjectivity in Literary and Cultural Narratives—Werewolves, Shapeshifters, and Feral Humans Conference, University of Hertfordshire, Sept 3rd-5th 2015 Extended Call for Papers and Panels OGOM is extending its call for papers for its … Continue reading
Posted in OGOM: The Company of Wolves
Tagged Angela Carter, animality, Animals, Anne Rice, CFP, Children's literature, Christopher Frayling, Fairy tales, feral children, Film, Folklore, gender, Genre, Gothic, Grimm brothers, identity, Intertextuality, Neil Jordan, Paranormal romance, Perrault, race, Romance, sexuality, Shapeshifters, TV, Werewolves, wilderness, Wolves, YA Fiction
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Lauren Chochinov, ‘Carmilla Rising: Adapting Le Fanu’s Novella In the Age of Social Media’
A very interesting review by Lauren Chochinov on the recent (2014) web-based adaptation of Le Fanu’s Carmilla by Jordan Hall and Ellen Simpson. I’ve only had glimpses of this series, but Chochinov’s article here has certainly whet my appetite for … Continue reading
Posted in Reviews
Tagged adaptation, Carmilla, Internet, new media, sexuality, Vampires
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Prince Lestat: A New Era for the Vampire Chronicles of Anne Rice
Leigh McLennon reviews Anne Rice’s return to The Vampire Chronicles with Prince Lestat, asking how Rice has adapted her vampires to suit the changed social conditions since the series began.
Barry Forshaw ‘Sex and Death: Vampires from Coleridge to Hammer’
Instructive extract from Barry Forshaw’s British Gothic Cinema on the vampire theme in Gothic fiction from Coleridge’s ‘Christabel’ through ‘Carmilla’ and dracula to its incarnation in cinema.
Posted in Critical thoughts
Tagged Carmilla, Coleridge, Dracula, Film, Gothic novel, Hammer horror, Romanticism, sexuality, Vampires
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Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’
Alexandra Campbell, PhD student at the University of Glasgow, succinctly reviews here what looks to be an essential contribution to the critical literature on the vampire in literature and other media: Aspasia Stephanou’s book, Reading Vampire Gothic Through Blood: Bloodlines, … Continue reading
Posted in Books and Articles, Reviews
Tagged Blade, blood, Buffy the Vampire Slayer, Film, Gothic, John Polidori, Marx, race, science, sexuality, technology, True Blood, TV, Twilight, Ultraviolet, Underworld, Vampire Diaries, Vampires, Victorian Gothic
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Review of Witches and Wicked Bodies exhibition at the British Museum
Last Monday, I decided to treat myself to the Witches and Wicked Bodies exhibition at the British Museum. It was my kind of treat because it covers a subject matter of much interest to me and it was also free. The exhibition … Continue reading
Posted in Reviews
Tagged body Gothic, Female Gothic, Fuseli, gender, Gothic, sexuality, witches
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Marina Warner, ‘How fairytales grew up’
More from the always-insightful Marina Warner on the fairy tale and its transformations and adaptations. Here, the essay revolves around Disney’s Frozen to encompass the many variations, dilutions, and intensifications of the original folk motifs through the ages.