Tag Archives: Julie Kagawa

Matizes do gótico: Three centuries of Horace Walpole – Two kinds of Romance

I’m very honoured to have my chapter ‘“Two kinds of romance”: Generic hybridity and epistemological uncertainty in contemporary paranormal romance’ included in this beautiful new book from Brazil: Matizes do gótico: três séculos de Horace Walpole, ed. by Júlio França … Continue reading

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Shakespeare, Hobgoblins and the Never Never

Following my post on Gothic Shakespeare I wanted to mention the British Library’s mesmerizing show Shakespeare in Ten Acts  There are over 200 rare and unique items on display including the only surviving play-script in Shakespeare’s handwriting. Visitors are encouraged … Continue reading

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Bill Hughes ‘Landscapes of Romance: Generic Boundaries and Epistemological Dialectics in the Paranormal Romance of Julie Kagawa’s The Iron King’

This is a draft of my article on Julia Kagawa’s richly allusive YA paranormal romance The Iron King. If you’re taking Sam’s Generation Dead module on YA fiction and the Gothic, or if you’re just interested in Gothic and genre … Continue reading

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Landscapes of Romance: Generic Boundaries and Epistemological Dialectics in the Paranormal Romance of Julie Kagawa’s The Iron King

Here’s the abstract for the paper I presented last week at the excellent Reading the Fantastic: Tales beyond Borders conference at the University of Leeds. You can download the paper from here, too. Within contemporary fantastic fiction, a modulation of … Continue reading

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Value and Ideology in YA Fiction

When studying popular culture (that created for younger people in particular), the question of value inevitably appears. YA fiction is often seen as not worthy of serious regard, particularly if it’s ‘genre’ fiction such as paranormal romance (gritty realism is … Continue reading

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Dragon lovers: extract from Julie Kagawa’s Rogue

One of the things that fascinates me while researching paranormal romance is the insight into the creation development, and interaction of genres. This genre itself is a mating between the monstrous (masculinised?) genre of Gothic horror and the feminine romance … Continue reading

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