Tag Archives: Genre

Strange Worlds: The Vision of Angela Carter, RWA, Bristol, 10 Dec 16 – 19 Mar 17

Posted on 2nd July 2016 by William the Bloody

Angela Carter is a key figure in the OGOM Project (as you might guess from the many postings here about her). Her explorations of the marvellous and the fabulous, her intertextuality and play with genres, her concerns with the metamorphoses … Continue reading →

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CFP: Damsels in Redress: Women in Contemporary Fairy-Tale Reimaginings, Queen’s University Belfast, 7-8 April 2017

Posted on 18th June 2016 by William the Bloody

This looks a great conference, with themes very much at the heart of OGOM research (I’m particularly interested in contemporary reworkings of fairy tale, and Sam’s modules explore this too): Call for papers for a conference at Queen’s University Belfast: … Continue reading →

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Fairy tales and contemporary fiction

Posted on 17th June 2016 by William the Bloody

An interesting article, ‘Follow the breadcrumbs: why fairytales are magic for modern fiction‘, by Lincoln Michel (author of Upright Beasts). It discusses  from a writer’s perspective the opportunities that modern reworkings of fairy tales have as an alternative to straightforward … Continue reading →

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David Richter, The Progress of Romance

Posted on 13th June 2016 by William the Bloody

I’m reading David Richter’s The Progress of Romance: Literary Historiography and the Gothic Novel–one of the best books on literary theory I’ve read for a long while. It’s an undogmatic approach to the way that literature, and especially literary genres, … Continue reading →

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Genres, Classification, and Adventures in the Library

Posted on 7th June 2016 by William the Bloody

In my explorations of the endless swarming and interbreeding of genres that is contemporary popular fiction, I recently discovered a new species. Among the proliferating subsubsubgenres of paranormal romance and similar breeds, I’ve noticed quite a few that feature libraries … Continue reading →

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Gargoyle Romance and Capture Fantasy

Posted on 13th May 2016 by William the Bloody

The world of paranormal romance is wide and strange and generically multifarious. Human beings engage erotically with almost every monster the psyche has conjured up, even those where consummation seems somewhat impractical–ghosts, mermen, and zombies, for example. Some of the … Continue reading →

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Terry Pratchett Symposium, Dublin City University, 28 May 2016

Posted on 13th May 2016 by William the Bloody

The CFP for this symposium on Terry Pratchett has closed now–I’m not sure whether we saw it and posted it. But it still looks to be a brilliant event and well worth attending.

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Jane Eyre’s Fantastic Origins

Posted on 7th May 2016 by William the Bloody

More on Jane Eyre (it is, after all, the 200th anniversary of Charlotte Brontë’s birth) and its complex intertextual relationships with other texts and genres (following my post below). Here, Emma Butcher traces the novel’s origins in Brontë’s (and her … Continue reading →

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Jane Eyre–a YA novel?

Posted on 7th May 2016 by William the Bloody

A provocative article by the YA author Lena Coakley, claiming Charlotte Brontë’s classic novel of autonomy, education, and desire as a YA novel. This challenges ideas of the canon and of genre, of course, and does have a certain validity, … Continue reading →

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Re-imagining Fairy Tales

Posted on 25th March 2016 by William the Bloody

A favourite OGOM topic (well, for me anyway!) is the transformation of classic fairy tales into (mostly YA) paranormal romances and allied genres. Here, the bare motifs of the fairy tale are invigorated by giving novelistic flesh to the characters … Continue reading →

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