Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

Skip to content

Welcome
Blog
- Books and Articles
- CFP (Conferences)
- Critical thoughts
- Events
- Fun stuff
- OGOM: The Company of Wolves
- OGOM News
- OGOM Research
- Resources
- Reviews
About
- OGOM People
- How to use this site
- Privacy Policy
OGOM Supernatural Tours
Sea Changes 2025
- Call for papers
In the Company of Wolves 2023
- In the Company of Wolves: Resources
- Wolves and Lies: Discussion
Breaking Through to Faerie 2022
- On the Day: Photos, Impact, and Links
- Breaking through to Faery: Accessibility
2022: The Year of the Vampire
- Nosferatu at 100 (2022)
Ill met by moonlight 2021
- Keynotes and Activities
- Programme
- Session Speakers and Abstracts
- Conference Timetable
- Conference Videos
- Conference Pack
- Rewards and Fairies
- Resources
- Publications
- Call for Papers
The Black Vampyre and Other Creations 2020
- The Black Vampyre: Resources
Polidori Vampyre Symposium 2019
- Two-day Programme
- Speakers and Abstracts
- Conference moments
  - Conference Report
Books of Blood 2018
- Being Human: Objects Lost and Found
- Call for Papers
- Artists and Objects
The Urban Weird 2018
- Keynotes and Special Events
- Session Speakers and Abstracts
- Panels and Papers
- Conference Timetable
- Full Programme
- Fees and Booking
- Travel and Accommodation
- Call for Papers
Redeeming the Wolf 2017
Company of Wolves 2015
- Conference Programme (PDF)
- Keynote Speakers
- Session Speakers and Abstracts
- Conference Timetable
- Conference Programme
- Conference Reviews
- Excursions and Events
- Conference Dinner
Bram Stoker Symposium 2012
- Bram Stoker Symposium Programme (PDF)
- Speakers and their Papers
- Bram Stoker Centenary Symposium: Reviews
- Bram Stoker Symposium Photos
Vampire Conference 2010
- Vampires and the Undead Conference Programme (PDF)
- Conference Report
- OGOM 2010 Photos
Publications
- The Legacy of John Polidori book
  - The Legacy of John Polidori: Contents
- Gramarye: ‘Ill met by moonlight’ special issue
- In the Company of Wolves book
  - In the Company of Wolves: Contents
- Gothic Studies: Werewolves and Wildness issue
- Open Graves, Open Minds Book
  - Open Graves, Open Minds book: Table of Contents
- Gothic Studies Special Vampires Issue
OGOM in the Media
Undead Studies
- Generation Dead: Young Adult Fiction and the Gothic
- Reading the Vampire
- OGOM PhD Research
- Gothic Herts Reading Group
Resources
- Understanding Otherness: Educational Pack
- Redeeming the Wolf: Educational Pack
- Repository: talks and papers
- Repository: articles and chapters
- Online talks and interviews
- Bibliographies
- Timelines
Contact Us
Site Map

← What the historical inaccuracies in “Dracula Untold” tell us about the rise of Islamophobia

** University of Sunderland Spectral Visions: Change of venue →

‘Into the Woods’: Go behind the scenes with Meryl Streep, Johnny Depp, and more

Posted on 24th October 2014 by William the Bloody

I can’t wait to see this film version of Stephen Sondheim’s brilliant musical Into the Woods, where he weaves several of Grimms’ fairy tales into one witty interconnected narrative. Sondheim’s music and lyrics are perfect.

Facebook0 Tweet0 Pin0 LinkedIn0Shares0Print0 Email0

Related

About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Reviews and tagged adaptation, Fairy tales, Film, Grimm brothers, Intertextuality, Stephen Sondheim. Bookmark the permalink.

← What the historical inaccuracies in “Dracula Untold” tell us about the rise of Islamophobia

** University of Sunderland Spectral Visions: Change of venue →

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Comment *

Name *

Email *

Website

Please enter an answer in digits:

eighteen + twenty =

Notify me of follow-up comments by email.

Notify me of new posts by email.

Δ

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Type your email…

Join 9,985 other subscribers.
Blog Stats
- 286,480 hits
Search
Site Map

Click here for Site Map
Search by Category:
Categories
Meta
Tags
- adaptation
- aesthetics
- Angela Carter
- Animals
- art
- body Gothic
- Bram Stoker
- Buffy the Vampire Slayer
- CFP
- Children's literature
- Company of Wolves
- Conference
- Dracula
- Dr Sam George
- fairies
- fairy tale
- Fairy tales
- Fantasy
- Female Gothic
- Feminism
- Film
- Folklore
- Frankenstein
- gender
- Genre
- Gothic
- Gothic novel
- horror
- Horror Film
- Intertextuality
- Monsters
- music
- myth
- Paranormal romance
- popular culture
- sexuality
- SF
- TV
- Twilight
- Vampires
- Werewolves
- witches
- Wolves
- YA Fiction
- Zombies

RSS Links
- RSS – Posts
- RSS – Comments

Follow us on X (formerly Twitter):

Follow @OGOMProject Follow @DrSamGeorge1 Follow @BillBloodyHughe

Blog Stats
- 286,480 hits
Web design by Bill Hughes. © 2022 Sam George and Bill Hughes

Open Graves, Open Minds Privacy Policy

Proudly powered by WordPress.