Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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← Six people given a vampire burial in Poland

Gail Turley Houston, ‘From Dickens to Dracula’ →

The Wild Evolution of Vampires, From Bram Stoker to Dracula Untold

Posted on 6th December 2014 by William the Bloody

Devon Maloney gives a brisk but useful survey of the changes in the image of the literary and cinematic vampire.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Resources and tagged Angel, Anne Rice, Blade, Buffy the Vampire Slayer, Carmilla, Coppola, Dark Shadows, Dracula, Film, The Lost Boys, True Blood, Twilight, Vampires, Vlad the Impaler. Bookmark the permalink.

← Six people given a vampire burial in Poland

Gail Turley Houston, ‘From Dickens to Dracula’ →

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