Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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OGOM in the Media
Undead Studies
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← Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’

Bill Hughes, ‘Demon Lovers: Embracing the Monster in Paranormal Romance’ →

monsters: the experimental association for the research of cryptozoology through scholarly theory and practical application

Posted on 25th January 2015 by William the Bloody

MEARCSTAPA–A useful site relating to the discussion of monsters and monstrosity and their cultural significance

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Resources and tagged Folklore, Monsters, myth. Bookmark the permalink.

← Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’

Bill Hughes, ‘Demon Lovers: Embracing the Monster in Paranormal Romance’ →

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