Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’

Ursula Le Guin: ‘Wizardry is artistry’ →

Matthew Jackson, ‘The enduring legacy of the Buffy the Vampire Slayer writers’ room’

Posted on 21st December 2014 by William the Bloody

With interviews with Joss Whedon and the scriptwriters of Buffy the Vampire Slayer, Matthew Jackson looks at what made those scripts so special and the influence on writing for TV that this seminal programme has had.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Interviews and tagged Buffy the Vampire Slayer, Joss Whedon, TV. Bookmark the permalink.

← Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’

Ursula Le Guin: ‘Wizardry is artistry’ →

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