Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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← How To Find A Masculine Halloween Costume For Your Effeminate Son

Watcher Junior: The Undergraduate Journal of Whedon Studies →

Sartrean Themes in Joss Whedon’s Angel: A Marxist Interpretation

Posted on 1st November 2014 by William the Bloody

A provocative article by Doug Enaa Green, interpreting Angel in terms of Jean-Paul Sartre’s later, Marxist philosophy.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Angel, existentialism, Jean-Paul Sartre, Joss Whedon, Marxism, Vampires. Bookmark the permalink.

← How To Find A Masculine Halloween Costume For Your Effeminate Son

Watcher Junior: The Undergraduate Journal of Whedon Studies →

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