Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← What Is a Contemporary Gothic Reading Group?

Fairytales and Storytelling →

Penny Dreadful: dismembering and assembling the Victorian Gothic

Posted on 17th October 2014 by William the Bloody

OGOM contributor Conrad Aquilana gives his analysis of the TV series Penny Dreadful.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged fin de siècle, Frankenstein, Gothic, Intertextuality, Oscar Wilde, TV, Victorian Gothic, Werewolves. Bookmark the permalink.

← What Is a Contemporary Gothic Reading Group?

Fairytales and Storytelling →

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