Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← The Future of Gothic Studies, Centre for the History of the Gothic, University of Sheffield, 8 July 2016

CFP: Damsels in Redress: Women in Contemporary Fairy-Tale Reimaginings, Queen’s University Belfast, 7-8 April 2017 →

Fairy tales and contemporary fiction

Posted on 17th June 2016 by William the Bloody

An interesting article, ‘Follow the breadcrumbs: why fairytales are magic for modern fiction‘, by Lincoln Michel (author of Upright Beasts). It discusses from a writer’s perspective the opportunities that modern reworkings of fairy tales have as an alternative to straightforward genre fiction and literary realism.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts, Generation Dead: YA Fiction and the Gothic news and tagged adaptation, contemporary fiction, Fairy tales, Genre, Intertextuality. Bookmark the permalink.

← The Future of Gothic Studies, Centre for the History of the Gothic, University of Sheffield, 8 July 2016

CFP: Damsels in Redress: Women in Contemporary Fairy-Tale Reimaginings, Queen’s University Belfast, 7-8 April 2017 →

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