Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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← Dale Townshend, ‘Review of Elisabeth Bronfen’s Night Passages: Philosophy, Literature, Film’

Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’ →

David Castillo and William Egginton, ‘Dreamboat Vampires and Zombie Capitalists’

Posted on 21st December 2014 by William the Bloody

In this essay, David Castillo and William Egginton give a very thoughtful politicised analysis of the meaning of vampires and zombies in contemporary society. A very useful adjunct to the themes discussed in the OGOM book.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Anne Rice, Buffy the Vampire Slayer, capitalism, consumerism, George Romero, Lacan, Marx, postcolonialism, The Strain, True Blood, Twilight, Vampires, Zizek, Zombies. Bookmark the permalink.

← Dale Townshend, ‘Review of Elisabeth Bronfen’s Night Passages: Philosophy, Literature, Film’

Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’ →

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