Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Gail Turley Houston, ‘From Dickens to Dracula’

Studies in Gothic Fiction, 3.2 (2014) →

Davia Sills, ‘The good zombie’

Posted on 6th December 2014 by William the Bloody

Davia Sills charts the rise of the post-Romero humanised zombie and what it might represent. This will be of interest to anyone exploring paranormal romance, particularly texts such as Daniel Waters’s Generation Dead and Isaac Marion’s Warm Bodies.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Film, Generation Dead, Horror Film, Les Revenants, Night of the Living Dead, Paranormal romance, Romero, Walking Dead, Warm Bodies, Zombies. Bookmark the permalink.

← Gail Turley Houston, ‘From Dickens to Dracula’

Studies in Gothic Fiction, 3.2 (2014) →

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