Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Tessa Farmer’s fairy taxidermy

Marcus Sedgwick’s new novel: Saint Death →

China Miéville: Beatrix Potter, Enid Blyton and the ‘pictureskew’

Posted on 18th June 2016 by William the Bloody

A very interesting essay by China Miéville on the dark side of the picturesque and English landscape in children’s literature.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged aesthetics, Children's literature, landscape, picturesque, sublime. Bookmark the permalink.

← Tessa Farmer’s fairy taxidermy

Marcus Sedgwick’s new novel: Saint Death →

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