Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Is Your Supernatural Spirit Animal a Vampire or a Werewolf?

Prince Lestat: A New Era for the Vampire Chronicles of Anne Rice →

Barry Forshaw ‘Sex and Death: Vampires from Coleridge to Hammer’

Posted on 23rd March 2015 by William the Bloody

Instructive extract from Barry Forshaw’s British Gothic Cinema on the vampire theme in Gothic fiction from Coleridge’s ‘Christabel’ through ‘Carmilla’ and dracula to its incarnation in cinema.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Carmilla, Coleridge, Dracula, Film, Gothic novel, Hammer horror, Romanticism, sexuality, Vampires. Bookmark the permalink.

← Is Your Supernatural Spirit Animal a Vampire or a Werewolf?

Prince Lestat: A New Era for the Vampire Chronicles of Anne Rice →

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