Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Review: The Gothic Fairy Tale in Young Adult Literature

Neil McRobert, ‘The Current State of Experimental Gothic: Part One’ →

Amanda Hopkins, ‘The Medieval Werewolf’

Posted on 13th November 2014 by William the Bloody

A fascinating and useful blog article on the literary representations of werewolves in medieval romance by Dr Amanda Hopkins at the University of Warwick.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Animals, medieval literature, Romance, Werewolves, Wolves. Bookmark the permalink.

← Review: The Gothic Fairy Tale in Young Adult Literature

Neil McRobert, ‘The Current State of Experimental Gothic: Part One’ →

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