Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← CFP: Welcome to the Night Vale

‘The Flowers of Evil: Satanic Feminists of Bohemian Paris’ →

‘The Aural Aesthetics of Ghosts in BBC Ghost Stories’

Posted on 6th March 2016 by firekrank

This is a wonderful series of articles on ‘The Aural Aesthetics of Ghosts in BBC Ghost Stories’ which should be of interest to anyone who enjoyed radio adaptations and the power of sound in creating Gothic landscapes.

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This entry was posted in Books and Articles and tagged adaptation, aesthetics, Affect, Audio, Ghost stories, Gothic, radio, Sensation, Sound. Bookmark the permalink.

← CFP: Welcome to the Night Vale

‘The Flowers of Evil: Satanic Feminists of Bohemian Paris’ →

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