Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← CFP: Monsters and Monstrosity in 21st-Century Film and Television

Talk on Fairy Tales and National Identity at the University of Chichester →

‘Tania de Rozario: On the monstrous feminine’

Posted on 26th February 2016 by firekrank

Continuing on the theme of celebrating Women in Horror during February (though I encourage you to do so all year round), this is a very intriguing and interdisciplinary article about the monstrous feminine in discussion with Tania de Rozario. It includes poems inspired by female characters in Japanese and Thai horror films.

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This entry was posted in Books and Articles and tagged contemporary Gothic, femininity, Feminism, horror, Horror Film, women. Bookmark the permalink.

← CFP: Monsters and Monstrosity in 21st-Century Film and Television

Talk on Fairy Tales and National Identity at the University of Chichester →

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