Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Call for Submissions — Spectral Visions: Grim Fairy Tales

Le Fanu’s Carmilla on Radio 4 extra →

Rowan Williams: why we need fairy tales now more than ever

Posted on 9th January 2015 by William the Bloody

Rowan Williams reviews Marina Warner’s new book, Jack Zipes’s translation of the Grimms, and Malcolm Lyons’s translation of early Arabic wonder tales, and discusses the power of the fairy tale in a fascinating essay-review.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Books and Articles, Critical thoughts, Reviews and tagged adaptation, Angela Carter, Arabic literature, Fairy tales, Folklore, Genre, Grimm brothers, Jack Zipes, Marina Warner, Perrault. Bookmark the permalink.

← Call for Submissions — Spectral Visions: Grim Fairy Tales

Le Fanu’s Carmilla on Radio 4 extra →

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