Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Rachey Taylor: A Review of Xavier Aldana Reyes’ Body Gothic (2014)

‘Witches and wicked bodies’, British Museum, 25 September 2014 – 11 January 2015 →

Roger Luckhurst, ‘Perversion and degeneracy in The Picture of Dorian Gray’

Posted on 15th December 2014 by William the Bloody

An excellent short essay on Oscar Wilde’s classic exploration of aesthetics and morality in The Picture of Dorian Grey by Professor Roger Luckhurst of Birkbeck, University of London.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Books and Articles, Critical thoughts, Resources and tagged aesthetics, Oscar Wilde, sexuality. Bookmark the permalink.

← Rachey Taylor: A Review of Xavier Aldana Reyes’ Body Gothic (2014)

‘Witches and wicked bodies’, British Museum, 25 September 2014 – 11 January 2015 →

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