Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← CFP: Posthuman Gothic (Published Collection) – Call for Chapters

The Castle of Otranto, by Horace Walpole →

Gothic Origins: Film, Fiction and History

Posted on 7th October 2014 by William the Bloody

A very useful compilation of articles from Routledge journals on the Gothic. Unfortunately, the free access to these ended in September, but still worth looking at.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Books and Articles, Publications, Resources and tagged Dracula, Film, Folklore, gender, Genre, Gothic, Gothic novel, theory, TV, Vampires. Bookmark the permalink.

← CFP: Posthuman Gothic (Published Collection) – Call for Chapters

The Castle of Otranto, by Horace Walpole →

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