CFPs: Dark Economies, Lovecraft Country, Zombies

Some excitng CFPs for conferences here–the deadline for ‘Dark Econimies’ is very soon, so hurry!

1. ‘Dark Economies: Anxious Futures, Fearful Pasts‘, Falmouth University, UK, 7-9 July 2021. A face-to-face conference!
Deadline: 1 February 2021.

The present is dark. With the rise of Covid-19, right-wing populism, global migrations and immigrations, continued violence, abuse and crime, prejudice and intolerance, there is increasing anxiety about the future. The Earth itself is under threat from environmental catastrophe and a mass extinction event is anticipated. The collapse of society, morality, and the environment was often also feared in the past, particularly in Gothic, horror and dystopian fictions and texts. What were the monsters of the past? What are our monsters now?

2. ‘Cults, Cthulus, and Klansmen: The (Hi)stories within Lovecraft Country‘, Centre for the History of the Gothic at the University of Sheffield, 20 May 2021. On line.
Deadline: 15 March 2021

This online symposium, hosted by the Centre for the History of the Gothic at the University of Sheffield, seeks to unpack the history, theory, and sociopolitical commentary neatly woven into the series Lovecraft Country. Remaining mindful of the show as a Horror series, this symposium will evaluate Green’s manipulations of Gothic and Horror tropes in conveying a powerful and complex critique of contemporary America.

3. ‘Theorizing Zombiism 2 Conference: Undead Again‘, University of Gothenburg, 29-31 July 2021. On line.
Deadline: 10 March 2021

The zombie as an allegory for cultural, social, and scientific analysis spans almost every discipline including humanities, biology, mathematics, anthropology, economics, and political science. This range of use for the zombie narrative is a clear indication of its adaptability and viability as a distinct framework for critical theory. Theorizing Zombiism 2: Undead again will thus serve as a timely and much-needed platform for the development of international and interdisciplinary relationships between researchers, educators, practitioners and other interested parties.

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Virginia Woolf, ‘A Haunted House’

Virginia Woolf’s (whose birthday is today) short story ‘A Haunted House’ is a superb modernist reworking of the classic Gothic haunted house tale. In its tenderness, it might be a fine example of what Catherine Spooner calls ‘happy Gothic’.

https://www.charleston.org.uk/a-haunted-house-by-virginia-woolf/

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Burns Night: Tam O ‘Shanter

As it’s Burns Night, here’s a link to Robert Burns’s delightfully Gothic poem Tam O ‘Shanter (1791), in which, after a heavy bout of drinking, Tam narrowly escapes the clutches of a horde of witches.

https://www.poetryfoundation.org/poems/43815/tam-o-shanter

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CFP: Corporeal Creations: Bodily Figurations of Creativity, online workshop, 24 March 2021

Zoom symposium, the Department of English, Tübingen University

From John Gower’s account of Robert Grosseteste’s construction of a talking head to George Herbert’s depiction of the heart as a place for divine encounters; from Ben Jonson’s pride in his literary offspring to Victor Frankenstein’s horrified reaction to the physical reality of his own creation, creativity has long been thought of in bodily terms. Imagery centred on the human body – and, frequently, on its procreative propensities – serves to configure the relationship between creator and creation or to describe interpersonal exchange and mutual dependence; bodily metaphors are useful both in celebrating human achievements and castigating Promethean pride and solipsistic self-involvement.

Our workshop aims at collecting and discussing medieval and post-medieval examples of creative metaphors which draw on the corporeal and to consider their communicative functions and ideological implications. Due to the ongoing COVID-19 pandemic, the workshop will be held virtually on Zoom.

We invite abstracts from all researchers interested in conceptualisations of human creativity and/or ability, especially – but not exclusively – as they relate to (notions of) the corporeal.

Website: https://sway.office.com/Eglo3emT1vkA3huE

For more information, please contact sarah-jane.briest@uni-tuebingen.de

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CoronaGothic: Cultures of the Pandemic

‘CoronaGothic’, Critical Quarterly 62.4 (2020), ed. by Prof William Hughes and Prof Nick Groom from the University of Macau, arrived in this morning’s post. Thank you to all who contributed to this ground-breaking discussion from a symposium organised by @UMGothic and featuring many leading scholars including Roger Luckhurst and David Punter. You can access the issue via Wiley online at the link above.

I was lucky enough to get an invite to speak and my paper ‘Amabie goes viral: the monstrous mercreature returns to battle the Gothic Covid‐19′ is available on free access

If you missed the event you can view the full symposium programme here and there is an excellent review of the days proceedings from scholar and attendee Dr Joan Passey. @UmGothic’s next free online symposium is on ‘The Future of the Gothic’ on Friday, 26 February 2021

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Online Educational Packs for Sixth-formers: Redeeming the Wolf, Understanding Otherness

OGOM are pleased to announce the publication on line of our Educational Packs. If you teach Literature (or related subjects)to sixth-formers or A Level students (or their equivalent internationally), please take a look by following the links below. We really welcome your feedback and suggestions for improvement!

The packs are developed as a taster session to show sixth-formers what it is like to study literature at university. Our aim is to demonstrate that literature is a living subject that feeds into current concerns such as extinction and rewilding, otherness and prejudice, and so on. Students also gain an insight into how different literary forms and genres work, focusing on the Gothic.

Our ‘Redeeeming the Wolf’ educational pack was developed through intensive live use in several sixth-form schools and colleges before being made available on line. The original pack has been used by 16 sixth forms to date, in workshops facilitated by Dr Sam George and Dr Kaja Franck. Dr Sam George is Associate Professor of Research at the University of Hertfordshire. She specialises in the Gothic and in Literature and Folklore, including the representation of wolf children. Dr Kaja Franck is a Visiting Lecturer and Gothic scholar who holds a doctorate in the representation of the literary werewolf.

The session is comprised of a mini-workshop, two mini-lectures, and a seminar, with interactive tasks, to demonstrate how the teaching of literature is delivered in universities. Three short stories are provided to be read by students. These stories have been researched and chosen carefully to show three different representations of the wolf and the stereotypes that have emerged so that these can be challenged in the twenty-first century.

Dr George is joined for the second pack, ‘Understanding Otherness’, by Dr Bill Hughes, whose research is centred on the interplay of genres in Paranormal Romance. The session is comprised of a mini-workshop, a lecture, and a seminar, with interactive tasks. Various fictional and poetic texts (or extracts from texts) are provided to be read by students. These have been researched and chosen carefully to show the Gothic mode in literature can foster creative discussion about difference and intolerance in society. There is an emphasis on literature and folklore too and the pack explores how the Selkie (seal maiden) can be used to facilitate discussions around otherness and animal/human boundaries.

Both packs are now available online here for the first time so that tutors can hold their own sessions. The ‘Redeeming the Wolf’ session lasts about 1 hour 30 minutes. The running time for ‘Understanding Otherness’ is 3 hours and 30 minutes; it could best be carried out over three days.

The packs have been put on line as password-protected subsections of the OGOM website so that other institutions both nationwide and internationally can be encouraged to make use of them. To access the packs, you must first log in or join us as a member if you are not yet registered.

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CFP extension: ‘Ill met by moonlight’ Gothic Fairies Conference

Arthur Rackham, illustration to A Midsummer Night's Dream
Arthur Rackham, illustration to A Midsummer Night’s Dream

We are pleased to announce an extension to the CFP for our ‘”Ill met by moonlight”: Gothic encounters with enchantment and the Faerie realm in literature and culture’ Conference. You can now submit proposals up till to 31 January 2021. We hope this will allow people to participate who were concerned about travel restrictions. Anyone who is researching the interplay between fairies (in the widest sense; we are very interested in the global equivalents of these creatures) and the Gothic is welcome to submit a proposal, but please hurry! Please see the web page for full details of how to apply.

We have also extended the conference by one day so that it now runs from 8-11 April 2021. We will be adding further plenaries and activities.

Due to the current pandemic, we have now decided to hold this as an online conference using Zoom. It’s disappointing that we’re unable to meet in person but it does mean we can have a much more global and diverse event. Further details of the programme will be announced in the future; please keep an eye on the website.

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Marcus Sedgwick, ‘Alpine Spirits’, Rural Gothic Christmas Ghosts, 30 December 2020

This sounds fabulous: a podcast from one of OGOM’s favourite collaborators, the award-winning novelist Marcus Sedgwick. Marcus writes:

On December 30th I’ll be a guest on The Folklore Podcast, kicking off an evening of talks in an event titled Rural Gothic Christmas Ghosts. Since I now live in the French Alps, I thought it might be fun to take a snowy walk through the landscape of these mysterious mountains, and chat about half a dozen or so of the stories I’ve come across since moving here. Tickets for the event can be ordered here.

I’ve always had an interest in folklore of all kinds. But I’m not an academic, I’m a writer. This means two things. The first is this: although, ever since I started writing, I had a strong desire to work with folklore, there were, and remain, very few opportunities to publish retellings of traditional stories. When I set out, it seemed there was a small club of two or three people who got to do all this work, and I felt I wasn’t going to be able to break my way in. Instead, therefore, I began to find ways to work folklore into original fiction, and so I did in various books, such as The Dark Horse, The Book of Dead Days, My Swordhand Is Singing, and Midwinterblood, to name a few. The second result of my not being an academic is this; I adapt freely. Since I’m not publishing academic studies of folklore, I have the freedom (and in fact am frequently obliged) to change the details of the stories I come across, in order to make them work successfully in a modern narrative. That being said, I always try to remain faithful to the feeling of the tale I am working with.

So on December 30th, I’ll be offering a small smorgasbord of weird tales, and a glass of Génépi, from the high and snowy land known as the Alps. The first point to note is that many of the tropes and characters to be found here are strangely familiar to anyone with even a passing interest in folklore. There are, of course, the accustomed witches and werewolves, fairies and spirits that we see in British and other European folklore, and yet all have their particularly Alpine twist. For example, exorcisms may be common enough throughout the world, but where else would you come across the exorcism of a glacier? A practice, incidentally, that is recorded to have happened as recently as 1818.

So there’ll be stories of wolves, werewolves, wild hunts and beasts. There’ll be a green man and a ghost, a sinister straw doll coming to life, and a séance in a sanatorium. And in a disappointingly un-alliterative saga, I’m going to talk about the Possessed Children of Morzine. Morzine is best known today as one of the main resorts of the Portes-du-Soleil ski area, and if all the Alps brings to mind is ski-mask suntans and Heidi, this story alone should be enough to display the dark side of this mountainous landscape. Many readers will be familiar with the most infamous French case of possession, that of Loudon, in the early 17th century, the story that gave rise to Huxley’s book, The Devils of Loudon, and later Ken Russell’s best film, The Devils. According to French historians, the possession in Morzine ranks only second behind this, and relates to a series of supposed possessions that lasted for at least 13 years.

The story starts in 1857. On 14 March, a young girl called Péronne, upon leaving church, hears cries nearby. The church stands right beside the river that cuts through the lower quarter of the town, and Péronne apparently witnesses and assists in the rescue of a friend, a girl of similar age, who has fallen in the river and is half-drowned. At first nothing seems amiss, but later, at school, Péronne falls into some kind of trance. Later, in May, while watching the flocks in the pastures, she and a friend, Marie, again fall into a somnolent state, and are found clinging to each other, rigid. Their character begins to change, and they become prone to outbreaks of violence and bursts of obscenities. Finally they admit that they have been ‘touched’ by an old woman in the neighbouring village of Les Gets, today another chichi ski resort. As we recognise so often in such stories, this moment of accusation is the spark that fires a whole series of allegations and further cases of possession. Very soon, all the girls in the convent school are possessed, and are obliged to cross themselves almost continually. On August 15th, during High Mass, the devils seem to pass into a number of young women as well, who let out a tremendous wailing and crying during the service. A doctor is called from Thonon, who arrives and declares the girls are afflicted by demonomania, a diagnosis at first supported by local priest, who multiplies the numbers of exorcisms he’s been making. Years pass.  It’s 1860. By now, Morzine, along with the rest of the Savoy, has become French. The demons continue, unabated, but by now the priest has changed his tune. He tells his flock that he made a mistake, and that the sufferers are victims of natural disease. His parishioners are not impressed, however, rush the pulpit, and would have seemingly torn him limb from limb were it not for the invention the clerical staff present. Enraged, a group of villagers now identify a former priest of the town as the culprit, and decide he is to blame for all their woes. One night, they descend from the mountains towards Lake Geneva, where the priest is now retired, falling upon a ruined chapel once built by this Abbot. Not finding the priest, but his black dog instead, they fall upon the animal, slashing it to pieces with sabres, and burying its liver in the churchyard. They return to Morzine, claiming victory, and yet the story rumbles on for another ten years, possibly more…

Lots has been written about the possessed of Morzine, and all the usual culprits (e.g. ergot poisoning) and prejudices (e.g. mass hysteria) arise. As so often however, the truth seems lost to the mists that frequently cap the mountains. For more detail on that story, and all the others, please join me on 30 December.

Laurent Baud, The Possessed of Morzine (1864)
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BAME Gothic Studies – PhD funding opportunity

Haitian Revolution | Causes, Summary, & Facts | Britannica
The Haitian Revolution (From Histoire de Napoléon, by M. De Norvins, 1839)

OGOM’s recent ‘The Black Vampyre and Other Creations: Gothic Visions of New Worlds’ event, which took place as part of the nationwide Being Human festival, was a huge success. ‘The Black Vampyre’ (1819) itself is a rather odd and ambivalent text that is nevertheless of great interest since it features what is likely to be the first Black vampire in fiction against a background of slavery and the Haitian Revolution (through which Haiti was the first nation to abolish slavery).

Our event prompted a fertile discussion and one issue that emerged was the scarcity of Black scholars in Gothic studies. The University of Hertfordshire is now offering a BAME PhD studentship in English Literature, English Language, Creative Writing, or Film Studies. This could be a great opportunity to help redress that imbalance by facilitating a PhD in literature (and possibly film), supervised by Dr Sam George, on a Gothic-related topic (though the award is not restricted to Gothic studies). Dr George is Associate Professor of Research and co-convenor of the OGOM Project. You can read more about Sam’s OGOM PhD studies here, and about the associated BA Young Adult Gothic and MA Reading the Vampire modules.

The deadline is unfortunately quite close: 7 December 2020. Details can be found here:

https://www.herts.ac.uk/research/research-degrees-and-doctoral-college/bame-phd-studentship-in-english-literature,-english-language,-creative-writing-or-film-studies

Here are some suggested topics for research; these may also inspire other topics:

The relationship of Black Romanticism to Gothic

Global Gothic

Race and representations of Otherness in the Gothic

Slavery and eighteenth-century Gothic

Afrofuturism and kindred movements

Postcolonial Gothic

BAME authors such as Octavia Butler, Nalo Hopkinson, Helen Oyeyemi

Young Adult Gothic by BAME authors

OGOM’s future strands of research will also be aiming for greater diversity. Our forthcoming work towards an Ethical Gothic has these concerns built into its structure. We are planning an online symposium on this theme and more details will be announced soon.

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Being Human: Gothic New Worlds Flash Fiction Competition

It’s with great pleasure that we announce the winners of the Gothic New Worlds flash fiction competition and their winning entries. We hope you find them as delectable as we did.

First Place: Barbara Brownie

The Hardy Tree

What are these beasts above ground? Breath, and voices, and blood pumping. They make territorial claims to a narrow slice of enchanted soil, and a stone crown. But this is not their land to claim. I am here. My roots own this soil. I grow Ash from their ashes.

Second Place: Eva Bradshaw

We are not dead. We may lie in the packed earth, our fingernails black and lips pulling from our teeth, but we are not dead. The dead are at the back. Beneath brambles and ivy, their tombs sink into the soil. They are the forgotten. They are the dead.

Third Place: Toothpickings

It wasn’t the piercing of her skin that hurt, it was the lazy irony. Preparing for a vampire symposium had been draining, but this was a little on the nose, she thought. Vampires just aren’t original anymore, thought Dr. George, as she sank into eye-rolling oblivion.

Barbara will be receiving a limited edition of OGOM’s first book Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present Day.

We were incredibly excited to read all the submissions and were delighted with the range and quality of them all – a wonderful reflection of the event itself.

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