Author Archives: William the Bloody

About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

CFPs, new resources: Gothic Nature, Middle Eastern Gothics, Science Fiction and empire

We recognise this is a very uncertain time and we at OGOM hope everyone is well and safe. Despite the barriers, academic life goes on and we have a few CFPs to advertise, plus some new resources added to the … Continue reading

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Vampires, werewolves, and Jane Austen

I am being interviewed here by Brian from Toothpickings. I talk about vampires and werewolves, the folklore of these creatures and its transmutation into literature. I also make some very tenuous links between this, the Enlightenment, Jane Austen and paranormal … Continue reading

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Welcome to Gothic Spring

‘We live in Gothic times’, said Angela Carter. Gothic narratives are one powerful way of facing oppressive darkness. But the fantastic mode in general can also reveal utopian possibilities, new worlds beyond the darkness. We are living through a bleak … Continue reading

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Amazing offer! 50% or more discount on In the Company of Wolves book

We’ve been posting about the book launch for OGOM’s latest publication, In the Company of Wolves: Wolves, Werewolves, and Wild Children. If you attend the book launch, you will be able to buy the book at 50% discount (possibly more–it’s … Continue reading

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New book: Ruth Heholt and Melissa Edmundson (eds.), Gothic Animals: Uncanny Otherness and the Animal With-Out

This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing … Continue reading

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Book Received: Cerys Crossen, The Nature of the Beast: Transformations of the Werewolf from the 1970s to the Twenty-First Century

The werewolf in popular fiction has begun to change rapidly. Literary critics have observed this development and its impact on the werewolf in fiction, with theorists arguing that the modern werewolf offers new possibilities about how we view identity and … Continue reading

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Book Received: Xavier Aldana Reyes, Gothic Cinema

Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first ‘trick’ films to its postmodern fragmentation in the Gothic pastiches of Tim … Continue reading

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Book Received: John B. Kachuba, Shapeshifters: A History

There is something about a shapeshifter – a person who can transform into an animal – that captures our imagination; that causes us to want to howl at the moon, or flit through the night like a bat. Werewolves, vampires, … Continue reading

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Review: Dracula (BBC, January 2020)

There has been much discussion of the BBC adaptation of Dracula by Steven Moffat and Mark Gatiss, shown this January—and the debate has been highly polarised. The OGOM Project began with a conference on vampires in 2010, followed by our … Continue reading

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Vampire criticism: Slayage and Angel; Holly Black’s Coldtown

Angel, the tormented ‘vampire with a soul’, was, through his love affair with Buffy in Joss Whedon’s TV series Buffy the Vampire Slayer (1997‒2003), one significant archetype of the romantic vampire of paranormal romance. Whedon then developed his character further … Continue reading

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